Please, ask any questions you like.
As you can see my initial beginning was markedly different from what we now have in the book. My first thought was to start the very next day from where Foundling left off. I am glad that I did not. The where to begin a story is one of the big challenges in writing. Apart from this, other problems clear to me (now, at least) are a/ that Grindrod is unrealistically harsh & b/ the excessive use of capitals for his voice.
Next is the proper beginning to the story; it is bloated and clumsy - but that is the nature of my first drafts for you... The comments on it are made by the fair hand of my publisher, Dyan Blacklock.
The change from first to second draft is hard work but seeing the better, tighter story emerge from all the pain is a genuine joy. The scribble in green is my own hand as I continue to improve the text - all those little details and tweaks that feel make the tale a whole lot better.
This final stage is what are called pages. It is the properly typeset book printed out on ordinary A4 paper for me to go over for any final and usually small corrections. I, however, made some significant changes - as you can see by the highlighted text, which, if memory serves, was shifted and cut. If you get out your copies you shall see what I mean. This is not normal at this stage, of course, but most was agreed to by my editor (the purple penciled Celia Jellet), for it indeed made the whole work again that much better. (I paid for the re-typesetting, btw - 'tis only fair...)
Also Gareth of Falcata Times asked me to point you all to their review of Lamplighter, which fits well with this post, the final end for this whole process: people reading it and even reviewing it. Thank you, Gareth!
For breakfast today I had porridge with sultanas and a cup of Irish Breakfast tea.